Zoom into Puppet Ministry

With churches closed down by the Covid-19 pandemic, many congregations have turned to technology solutions like Zoom to hold worship services, meetings, and Bible studies online. Teaching the pilot class of the “Puppet Ministry Pizzazz” course via Zoom last month was a bit of a challenge. But, in the process of learning the ropes, I discovered that Zoom could be a useful tool for puppeteers to broadcast and record their conversations with a puppet pal.

For the following three videos, my laptop’s built-in camera and microphone recorded Moochacha chatting with me in a Zoom meeting window. The laptop did extra duty as  teleprompter. After hitting the Record button in the Zoom window, I clicked over to a Microsoft Word document containing my script (in a different window, NOT a Zoom screen share). While I scrolled through the Word doc, Zoom continued to record me in my Zoom window.

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Puppet Ministry~of Course

News Flash!

Binghamton District Lay Servant Ministries of the United Methodist Church is sponsoring a brand-new course based on my book Puppet Ministry Pizzazz: Make Your Message Pop with a Puppet Pal. Being a UMC lay speaker myself, I’m super excited about this opportunity to equip and inspire more puppeteers.

Personal Puppet Ministry

Artwork by Jeffrey W. Olin. ©2019 Linda Bonney Olin. All rights reserved.

The course will focus on “personal puppet ministry”: a solo puppeteer sharing the love of Christ and teaching lessons about the Bible, the church, or Christian living, by chatting with a puppet buddy in front of audiences of any size and any age. Personal puppet ministry adds a fun but meaningful element to children’s time in worship services, to Sunday school and vacation Bible school, to visitations, and many more settings.

I’m preparing to lead the pilot class, assisted by my pal Moochacha and my son’s pal Clyde (visiting from Texas). We’ll meet at First United Methodist Church, Chapel Street, Windsor, New York, for a full-day session on Saturday, May 9, 2020. Eligible participants who complete a pre-class assignment of reading and activities in addition to attending the class can receive advanced lay servant/speaker course credit from the Binghamton District.

If you’d like a flyer with information and registration form for the May 9 course, pop me a request on the contact form.

EDIT: Class postponed indefinitely due to COVID-19.

Meanwhile, I’m working on the syllabus and leader guides for both the one-day class format and a 4-evening classes format. Farther down the line, I hope to create a scriptwriting workshop for puppeteers, too. We’re looking forward to submitting these courses for possible inclusion in the UMC Lay Servant Ministries Course Catalog nationwide. It’s a big “ask,” but my Holy GhostWriter is up to the task, God willing.

News Flash #2 (about being #1)

Speaking of my HGW being on the job… Puppet Ministry Pizzazz reached Amazon’s #1 Best Seller status among Kindle books in the Puppets & Puppetry category earlier this week! That was a huge gift of encouragement. Amazon rankings fluctuate pretty quickly, but I snagged a screen shot before my book got bumped out of the number one spot.

Amazon Best Seller screen shot Sorry, Elmo!

To follow my journey of developing a ministry with my pal Moochacha, check out the series of puppet ministry blog posts here on Faith Songs. You can find that and other helpful stuff on my Puppet Ministry Resources page.

Blessings,
Linda

 

Puppet Props for a Puny Purse

’Tis the day after Christmas, and all through the store
puppeteers can find bargains on goodies galore.
On foot or in car or on sleigh, giddyup it
to get props and costumes for you and your puppet!

Clyde & Linda wish you a Merry Christmas

Clyde and I are a day late (or 365 days early) with our Christmas greeting, but we’re right on time with a tip for your personal puppet ministry.

The days following Christmas and other seasonal holidays offer a terrific opportunity to pick up nifty props and costume items for your puppet pal, without busting your budget. Clearance shelves in discount department stores are stacked with holiday-themed hats, shirts, bibs, neckties, decorations, and who knows what else, at bargain prices. Don’t forget to scout those bins for puppet accessories when you raid the stores for clearance candy and return the wrong-size jammies from Grandma.

Halloween clearance goodies for MoochachaLook especially for items you and your puppet pal can work into a premise for a ministry message. In the Halloween clearance sale, I found a headpiece with bunny ears and a cute basket to dress my cow pal, Moochacha, as the Easter bunny. We could develop several lessons from that setup. (Edit: Check out “Moochacha as the Easter Bunny.”)
For another example, Moochacha wearing a glitzy unicorn horn could prompt a conversation about the precious, unique identity each of us is created with, or about envy.

Jeff and I had a lot of fun with the “Ho! Ho! Ho!” hat in the Merry Christmas photo above. But it wasn’t just comical. It also launched a serious discussion about Christmas generosity and cherishing God’s gift of family in “Clyde Teaches Jeff a Christmas Lesson,” one of the fourteen sample scripts in Puppet Ministry Pizzazz. In that skit, the “Ho! Ho! Ho!” hat served as a callback to add humor, emphasize the lesson, and unify the skit. (Using callbacks is explained in the chapter about writing your own scripts.)

Nuff said. Giddyup and go see what treasures are waiting for you and your puppet pal! Leave a comment to let us know what you found.

Happy foraging!
Linda

P.S. If you missed previous posts in the Personal Puppet Ministry series, catch up here:
Puppet Grace
Picking a Puppet Pal
Picking a Puppet Pal, Part 2
Puppet Pal ~ Personality Plus
The Puppet Leaves the Pulpit
Puppeteer & Pal Meet the Kids

For more info and suggestions, check out this page of puppet ministry resources and my brand new how-to book, Puppet Ministry Pizzazz: Make Your Message Pop with a Puppet Pal.
Puppet Ministry Pizzazz comes in print and digital versions

 

Puppeteer & Pal Meet the Kids

When you and your puppet pal are up close and personal with a live audience, especially kids, there’s no telling what might happen! But going “up close and personal” is a big ingredient in personal puppet ministry, so thinking about audience interaction is super important.

In this installment of the Personal Puppet Ministry series…

Let’s see what lessons about audience interaction we can glean from my gig with my little cow puppet pal at Harpursville United Methodist Church on Ascension Sunday. This was Moochacha’s first encounter with children during worship services.

Here’s a quick encore:
“Moochacha Learns about Saying Goodbye”

Singing “Jesus Loves Me” with the entire audience had already been scheduled to close every performance. You can’t beat that message! Hopefully the children will enjoy singing along, and those who don’t know the song will learn it as we sing. If you like to sing, you might want to select a signature song to feature in all your appearances, too.

The script for “Moochacha Learns about Saying Goodbye” did not specify any other direct interaction with the audience. In fact, I’m embarrassed to admit that I hardly made any eye contact at all with the three kids who came forward for Children’s Time. My attention was glued onto Moochacha, talking to her, talking for her, and moving her head and body at appropriate times to give her a lively, responsive appearance.

Moochacha and Miss Linda meet the kids on Ascension Sunday at HUMCFixating on my puppet was partly due to nervousness. My nerves are always on high alert when I conduct services as a lay speaker. Children’s Time is the biggest fear factor of all. Let’s face it, little kids flummox me. My own kids flummoxed me (still do, in their thirties!). Other people’s kids flummox me even more. So I was wound up tight as a tick, sitting in the hot seat facing three attentive children.

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The Puppet Leaves the Pulpit

My Personal Puppet Ministry saga continues! If you missed earlier posts in this series, you can catch up here:
Puppet Grace
Picking a Puppet Pal
Picking a Puppet Pal, Part 2
Puppet Pal~Personality Plus

More lessons learned with Moochacha

My last post shared the debut of my little cow puppet pal, Moochacha, during children’s time in worship services at Harpursville UMC and Ouaquaga UMC. That day, all the “children” in attendance were adults in our second childhood, so I performed the puppet script at the pulpit, with Moochacha perched on the lectern where everyone in the pews could see her.

(By the way, even though I use the word “perform” for what I do with my puppet pal, the purpose of personal puppet ministry is not to grab the spotlight. A puppet performance during a worship service, however entertaining it might be, is intended to put the spotlight on the Lord and his love.)

Moochacha’s second outing took us to the same two churches on June 2, Ascension Sunday. The theme of the sermon, scripture readings, prayers, and music (see bottom of post) was basically that Jesus left earth and returned to heaven in triumph, but he did not abandon us. My scripted conversation with Moochacha coordinated with that message.

We never know how many children will attend the Sunday morning services. Sometimes, none. So, the puppet skit must present a premise and message that are engaging for adults as well as children. Saying goodbye is an experience all ages can identify with, making it a good topic for our mixed audience. It was especially poignant for the older folks because several members of our close-knit church family were dealing with recent or imminent death of loved ones.

Moochacha Learns about Saying Goodbye:

As it turned out, on Ascension Sunday we were blessed with three early elementary age children at Harpursville. That blessing brought a few extra challenges for the puppet performance. This post will look at the logistical side of performing away from the pulpit.

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Puppet Pal ~ Personality Plus

My Personal Puppet Ministry saga continues! If you missed earlier posts in this series, you can catch up here:
Puppet Grace
Picking a Puppet Pal
Picking a Puppet Pal, Part 2

Once again, audio recordings of today’s post are provided for your listening pleasure (I hope!). The post in written transcript form follows, for those who prefer to read.

Audio post, part 1:

Personal Puppet Ministry

As I’ve explained in previous posts in this series, personal puppet ministry is what I call a solo puppeteer and his/her puppet pal sharing God’s love by chatting back and forth in front of an audience, basically playing the “role” of themselves. It’s a totally different style from puppet plays in which the puppeteers are hidden under a stage where puppets act out a Bible story or a story with a moral lesson. Personal puppet ministry is more interactive with the audience, and more… well, personal.

I’m a novice puppeteer, starting out with two puppet pal candidates. One is a cute little cow. The other is a black crow.

Stuffed cow with blue eyesBlack crow

The crow needs major surgery to be converted from a regular stuffed animal to a hand puppet, so I’m going to postpone developing that character until I have time to make it into a functioning puppet.

The cow is ready to use as soon as I give it a name, a voice, and a personality. Those three elements will hopefully work together to make my puppet a truly memorable character.

My puppet pal’s personality

By “personality,” I mean the kind of characteristics it will have. Will it be male or female or gender-neutral? Sweet or feisty? Talkative or shy? Casual or elegant? Impulsive or thoughtful? City or country? That sort of thing.

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Picking a Puppet Pal

Linda Bonney Olin: "Puppet Pal Auditions Today"My Personal Puppet Ministry saga continues! If you missed my previous post, you can catch up here: Puppet Grace

Click on the link below to listen to an MP3 recording of today’s post.
The transcript follows, with a few photos for illustration.
Audio: Picking a Puppet Pal-Puppet Types

Picking a puppet pal for personal puppet ministry

Thanks for joining me on my latest ministry adventure. I introduced the concept of personal puppet ministry in a previous post. This post will cover the first practical steps toward starting my personal puppet ministry.

Personal puppet ministry = one puppeteer + one puppet pal + an audience.
I’ll round up the audience later, when I’m ready to perform. For the moment, here I am, the one puppeteer. But the other half of the equation is missing. Where’s my puppet pal?

I don’t have one, not yet. So the next step for me is to pick and personalize a puppet pal to perform with. On to the puppet pal auditions!

Let’s consider some types of puppets that are out there and talk about design choices that might work well for my personal puppet ministry, or not so much.

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Split-ting Words Without Getting a Split-ting Headache

Sheet musicEver notice all the hyphens in your hymnal? I pity the guy who had the job of putting them there!

When song lyrics contain words of more than one syllable, the divisions between syllables are marked with hyphens in the score. This allows each syllable to be individually aligned with its musical note.

Some syllables are sung across a series of notes. The score will generally use a curved line called a slur to mark the range of notes assigned to a particular syllable. It may display multiple hyphens for an extended syllable.

The clip of sheet music pictured above shows the hyphenated syllables Glo-ri-a, ex-cel-sis, and De-o in the classic Christmas carol “Angels We Have Heard on High.” Look at all the hyphens following Glo! That single three-letter syllable is spread over sixteen separate notes. Keep an oxygen tank handy when the congregation belts that one out!

Where Do the Hyphens Go?

But Gloria-induced hyperventilation is not the source of the headache I mentioned in my post title. My split-ting headache comes from trying to figure out exactly where to divide words when I type lyrics into a music notation program.

I vaguely remember a few of Sister Mary Adele’s rules from fifth grade grammar:

  • End a long-vowel syllable with the vowel.
  • End a short-vowel syllable with a consonant.
  • Split words between two consecutive consonants, unless they form a diphthong. (Wait a minute, diphthongs combine vowels. What do you call a consonant combination? A gerund? No … I’m getting too old to keep that stuff straight.)

But Sister Mary Adele’s rules don’t always give the right answer. Even words I thought were obvious turned out to be split differently in my hymnal. Where would you place the hyphens in the common word everyone, for example? I didn’t even guess the number of syllables correctly.

What’s a lyricist to do? Use only words of one syllable? Not likely. Insert hyphens wherever they look right to me, and hope no one else knows better? Tempting, but not the most quality-conscious approach.

How to Divide and Conquer Multi-Syllable Words

Merriam-Webster’s Collegiate Dictionary is my hard-copy reference for word spelling, definition, and syllabication. A quicker solution: I keep a browser window open to Dictionary.com while I work on lyrics. When I need to check a word, I type or copy/paste it into the search box and hit Enter. Voila! Dictionary.com displays the word and its derivative forms in hyphenated syllables.

Even if you don’t write music, knowing where to find a word’s correct syllabication might come in handy someday. If you lay out the interior pages of a print-on-demand book in Microsoft Word, for example, you might want to override Word’s hyphenation to tweak a line here or there. Splitting a long word differently (Con-gregation instead of Congre-gation, for example) can improve the appearance of a printed page or break a line of dialogue at a more reader-friendly place in a script.

Edited September 23, 2021: By the way, give yourself a pat on the back if you split everyone into three syllables. But some sources split it like this: eve-ry-one, while others split it like this: ev-ery-one.

Edit January 10, 2016:
Entering hymn lyrics into a digital score by copying and pasting from Microsoft Word is a lot quicker than typing the words directly into the score. To do that, I first have to separate the syllables with a space or a hyphen (depending on the music notation program). Inserting all those spaces/hyphens individually gets pretty time-consuming.

But I recently was tipped off to Lyric Hyphenator, a free online utility from Juicio Brennan. Just paste your text into the on-screen box and click a button to have it hyphenated automatically. If your notation program uses spaces instead of hyphens to separate syllables, you can then use Word’s Find/Replace All function to replace all the hyphens with spaces.

Caveats: Lyric Hyphenator works with standard English words only. You should eyeball the results for accuracy; as always, use a dictionary to check the syllabication of any questionable words or proper names. (Lyric Hyphenator says eve-ry-one; Merriam-Webster says ev-ery-one.)

 

Are You Peeking Through the Publishing Window?

Poster of a Sparrow Perched on a Window , asking Why peek in the window when the door is wide open?High-flying indie authors make news practically daily. Industry gurus exhort writers, practically hourly, to invest major effort and money into launching our own books into the stratosphere of publishing success, whether by independent or traditional methods. We must conduct our writing activity in a serious manner. Be professional. Businesslike. Goal and results oriented.

Shrewd advice. But …

On Saturday, September 14, I’m setting aside my aspirations to soar with the eagles. Instead, I’m heading to W. B. Ogden Free Library in Walton, New York, to flock with a few of my favorite sparrows.

The Ogden Writers Group grew out of a memoir-writing workshop led by Columbia University professor Leslie Sharpe, so it’s not surprising that quite a few members are older individuals who write memoirs and fictional stories about bygone days, primarily for the benefit of family, friends, and others interested in the times and places they describe.

Do these writers expect to land fat royalty publishing contracts, or want the obligations a contract would entail? Not really. Do they have the means or desire to set themselves up as self-publishing moguls, managing teams of editors, designers, and marketers to turn their books into indie sensations? I doubt it. Do they have big bucks to shovel into the coffers of vanity publishers? Not that I know of.

No, they’re what many in the industry refer to (with disdainful sniffs) as “amateurs” and “hobby writers.” The sparrows of the writing world, I call them. True, some write more polished prose than others. But they all have stories to tell. Poignant stories. Funny stories. Historically, socially, and spiritually significant stories. Should those manuscripts lie in a drawer forever because they weren’t written by people who fit the “professional” mold?

My presentation to the group will encourage those sparrows who are perched on the windowsill—not on the outside looking in, but trapped on the inside looking out wistfully at the eagles, and woodpeckers, and hummingbirds with their published books. I’m going to suggest that they (you?) can get out there and fly, too. The publishing door has been opened wide by self-publishing services like Kindle Direct Publishing (Amazon’s ebook publishing division) and CreateSpace (Amazon’s print-on-demand division). Maybe my sparrow friends’ books will never reach the highest heights. But a sparrow-sized flight is still a flight to be proud of.

Are you a sparrow on the windowsill? Stay tuned. I plan to record my talk and post it for those who can’t attend the meeting. (Update: Recording and script are now posted on my Resources page!)

Meanwhile, here are several sparrow flights I’ve helped launch. Please click on the covers and give them a look. <3

Cover of My Cup of Tea by Phyllis Neff Lake

MY CUP OF TEA:
A Novel of Conversation, Friendship, and Love
by Phyllis Neff Lake

 

Kindle cover of Rivington Street by Frank Di Giovanni

RIVINGTON STREET:
A Drama in Three Acts
by Frank Di Giovanni

 

Cover of Songs for the Lord by Linda Bonney Olin

SONGS FOR THE LORD
by Linda Bonney Olin

 

Photo of paperback book cover of The Sacrifice Support Group:Lenten Drama and Discussion by Linda Bonney Olin

THE SACRIFICE SUPPORT GROUP:
Lenten Drama & Discussion
by Linda Bonney Olin

 

 

10 Tips Put Poems to Music

Random Writing Rants banner

Ever had the desire to write hymn texts or put your poems to music? Think it’s impossible because you have little or no music training?

Check out my 10 tips for putting poetry to existing music, on my guest blog post at Random Writing Rants, which is a terrific source of information, advice, and encouragement for adult and teen writers.

EDIT June 11, 2021: Random Writing Rants is no longer active, so I’m copying my ten tips for you here:


From Random Writing Rants

To get you rolling, here are ten tips for putting new words to old music. These are geared to hymns and faith songs, but the same principles apply to other poem themes.

  1. Listen for the Holy Spirit ( or whatever muse inspires you) popping little rhyming phrases and themes into your head. As you read your Bible or listen to a sermon, imagery may jump out at you. Grab those ideas and see how they might be developed into verses. Themes and images that divide themselves into three, four, or even five parallel aspects lend themselves nicely to song stanzas. For example, my hymn text “Seasons of Life” has four stanzas, each one corresponding to (you guessed it!) one of the seasons. A refrain can serve to summarize, bridge, or unify the stanzas.
  2. Choose a tune that suits the general attitude of your text and the musical style you’re going for. A soulful solo? Hand-clapping bluegrass gospel? Lyrical waltz?
  3. Refresh your familiarity with public domain tunes, to help your brain suggest a good choice for a given text. I use recordings on Andrew Remillard’s YouTube channel or hymnary.org to hear the tunes. There are other helpful sites too.
  4. If your poetry tends toward esoteric imagery, multi-layered metaphors, and literary tours-de-force, I suggest you bring it back down to earth when you write hymns. Hymn lyrics have to be easily understood to be absorbed while being sung. You know what I mean. How often do you sing a whole congregational hymn and when it’s done, you have no idea what the words said? Don’t let that happen to singers of YOUR songs! Be original, but not incomprehensible. Choose one simple image and build on it.
  5. Songs are meant to be sung, right? So give singers a break, with easy-to-pronounce transitions between words. Don’t shove a mouthful of consonants into a speedy succession of eighth notes or tongue-twisting combinations in adjacent syllables. Beware of embarrassing words created from run-together sounds. Hearing “snot” in “It’s not” is a classic example. Sing it out loud and adjust as necessary.
  6. Carefully match your words to the notes, using the right number of syllables. A printout of the tune’s sheet music, which often can be downloaded as a PDF file, can be a useful tool to help you match syllable for syllable. It’s okay to split a syllable across multiple notes or split a single note into its equivalent of shorter notes to spread it across multiple syllables. However, when you write new words to a familiar song, try to keep the same pattern of split notes and/or syllables that was in the original song, to help singers make the switch comfortably.
  7. Match accented (stressed/emphasized) syllables to stressed notes. For example, sing “Jingle bells! Jingle bells” out loud to hear the primary accent on the “Jing” notes. It would sound weird to replace those words with “The Lord reigns! The Lord reigns!” even though the number of syllables is the same, because accenting “The” instead of “Lord” sounds weird. A better choice is “Jesus reigns! Jesus reigns!” because “Je” correctly matches the stress on “Jing.”
    Caution: Please don’t jumble the normal order of words in a phrase or sentence to make accents fit. That always sounds awkward or confuses the meaning of the sentence. Remember, your message (which actually is God’s message) is top priority in a faith song.
  8. Don’t shortchange the message by forcing words into stilted rhymes, either. Look for original rhymes using words that contribute to the whole, not just throwaway phrases tacked on to complete a rhyme.
  9. Look for opportunities to musically convey the emotion of verbal phrases. For example, the phrase “Praise the Lord” fits a rising sequence of notes, with the highest note gloriously emphasizing “Lord.” (The refrain of the old hymn “To God Be the Glory” does exactly that.) On the other hand, “Satan is dragging me down” calls for a downward sequence or an ominous minorish-sounding musical phrase. Passages that speed up or notes that are held out convey different dramatic effects too.
  10. Last but not least: Get permission to use copyrighted music, or else stick to public domain tunes (which aren’t copyrighted). Give credit where credit is due: When you publish or perform your new masterpiece, cite the name of the tune’s composer.

Now, do you hear music bubbling up from your memory? It wants someone to give it new words! Why not you?


Back to my Faith Songs post…

If you haven’t already read my posts here on Faith Songs about my adventures in writing original music, take a look at them, too:
Writing Songs for the Lord
To the Ends of the Earth

By way of an update, I’m happy to say that, thanks to my musically inclined collaborator, Phyllis Neff Lake, the project of adding piano accompaniments to the hymns and faith songs in Songs for the Lord is well underway. Yay, Phyllis! Yay, God!

Meanwhile, I’m adding material slowly but surely to a second songbook. This one will feature original hymn texts set to some of my favorite classic hymn tunes. Just this morning, the Holy Spirit showed up with a new hymn idea in the wee hours. I grabbed a newspaper lying next to my bed and scribbled a draft of the verses before they floated out of my memory.  🙂

Let me know if you’re inspired to give it a try!

Blessings,
Linda

P.S. 9/28/2013

I just added new links to my Resources page that will interest poets who want to write new words to set to old hymns.  Hymnary.org offers XML and midi files of public domain hymns. MuseScore, a free music notation program, opens those files and lets you edit them. Replacing the old lyrics with your own words is easy! You can modify the notes, too. Then you can save and print professional-looking sheet music. Have fun!