Collaboration Curve

Curve road sign. Photo by fabien-bazanegue on unsplashAfter a two-year hiatus while I worked on other projects, my Holy GhostWriter plunked me back into hymn-writing this year, with an exciting new twist!

Thanks to Facebook groups, YouTube, and the Hymn Society in the US & Canada, I’ve connected with several composers to work on new musical settings for texts I originally published with public domain tunes and for some brand new texts. In addition, I’ve written melodies for a couple of my newest hymns, with harmonization help from Diva Daughter, Theresa Olin (aka The Inexorable Juggernaut of Music Theory).

It’s been quite a roller coaster ride, careening up, down, and around the learning curve of collaboration. I mean, it’s one thing to tweak a hundred-year-old tune written by a guy who is, shall we say, in no position to argue with my choices. It’s quite another to communicate and negotiate with a living composer who brings a different vision and style to my lyrics, and who is as new to the art of collaboration as I am. Fortunately, my HGW has blessed me with partners who possess a gracious heart as well as musical skills.

Our newest pieces are not going public yet, in order to preserve eligibility for competitions and publishers which require unpublished work. Stay tuned for those!

Meanwhile, I hope you’ll enjoy the lovely new setting written by talented young composer Jared Bernotski for my text “How Long Is the Longest Night.” Jared himself sings HLITLN, accompanied by Cade Johnson, in this video. (Lyrics below.)

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Words and Music: Which Comes First?

"Which comes first? Uh..."Which comes first, the words or the music?

Well… yes. Like the chicken and the egg, a hymnwriter can go either way.

Words First

For me, writing a new hymn often begins with an idea for the words (aka text or lyrics). Perhaps some situation in my life or in the world around me suggests a musical parable. Perhaps my Holy GhostWriter prods me to explore a particular Bible passage or theological concept. Perhaps a hymn-writing competition specifies a theme or occasion to write about. Perhaps an intriguing turn of phrase begs to be rhymed and set to music.

Ideally, while I’m writing the words a good tune bubbles to the surface of my memory or imagination. If my verses have a commonly used meter (pattern of syllables per line), I might pick a suitable tune from the metrical index in the dog-eared back pages of my hymnal. Otherwise, a scrounge through the archives of public domain hymn tunes (and maybe a tweak or two to the existing notes) may be necessary to get the right musical setting.

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Now Sings My Soul: A New Song of Promises Kept

Cover of Now Sings My Soul: New Songs for the LordIf any single project could sum up my collaboration with my Holy GhostWriter, it would be Now Sings My Soul: New Songs for the Lord. Without our creative partnership, none of these songs would have been conceived, let alone brought into the world.

Admittedly, the labor pains got pretty intense at times.

  • More than a hundred of my hymns and faith songs were selected and polished. And polished some more.
  • The interior layout was designed for an 8.5″ x 11″ print book: fonts, sizes, pagination, headers, footers, sections, title pages, art, etc.
  • Lyrics were laid out in stanza format on individual pages, along with suggested themes and scripture references for every song—a monster task in itself.
    Many thanks to my posse of Bible-loving helpers who contributed scripture suggestions, especially Lisa Kesinger DeVinney, Ann Marin Frizzell, Vi Gommer, and Angela Davis.
  • The musical settings were tweaked and formatted as book pages in a consistent style, with headers and footers and mirror margins.
    (Many thanks to the developers and community of MuseScore, the free, open source music notation program I use to engrave scores.)

Score of Now Sings My Soul a New Song (Click on the image to download the PDF score. Click here to listen to my arrangement of the tune. If the mp3 doesn’t load fast enough on your device, try the midi file on the Now Sings My Soul~Audio page.)

  • Songs were sequenced so that closely related songs would be displayed on facing text pages and two-page scores would be displayed on facing pages to eliminate mid-song page turns. Every time songs were reshuffled, the scores had to be renumbered and margins adjusted for odd/even page location.
  • Five indexes were designed and formatted and built. Multiple times.
    (I may write a separate blog post to share my hard-won experience with other writers who want to know how to add a scripture index to a Word manuscript.)
  • All the pages were fine-tuned for consistent layout, printed to PDF files, assembled into a single interior PDF file, and submitted to CreateSpace (the printer for my indie books) for trial processing. Multiple times.
    (How to convert music scores to PDF for CreateSpace without either your music notation or yourself going buggy may be the subject of another what-I-learned-the-hard-way post.)
  • The book cover was designed, tweaked, sized, given a bar code with the book’s ISBN and price embedded, and submitted as a PDF file to CreateSpace for trial processing. Also multiple times.
    Many thanks to Nel Bernard of Centrepole Art Glass Studio, who graciously gave permission to modify a photo of his beautiful Tree of Life stained glass window in Bradbury Chapel, Canton, Maine (below) for my cover image. Thanks also to Steve at Bookow.com, who creates price-embedded barcodes for book covers at no charge for indie authors like me.

Nel Bernard's Tree of Life window

  • The interior and cover were modified for a Musicians Edition, which omits the text-only lyrics section.
  • The interior, cover, and indexes were completely revamped for a 5.5″ x 8.5″ Readers Edition, which contains the lyrics section but no scores.

Readers Edition page with lyrics and suggested themes and Bible verses for Now Sings My Soul a New Song(Click on the image to download a PDF of this page from the Readers Edition.)

  • The Readers Edition was reformatted from scratch for a Kindle ebook version.
  • Book files for all the editions and versions were submitted for review, and tweaked, and resubmitted some more, until I was satisfied that I had done the best I could.
  • More than 250 audio files were generated in MuseScore and linked to the book’s audio page here on Faith Songs.

And that’s on top of writing all those hymn texts and song lyrics (plus a few of the tunes) in the first place!

Finally, the gestation period was over.

After some two years of work on the project, a sample of the paper-and-ink book was delivered. All the travails, all the months of anxious anticipation were eclipsed by excitement and a sense of accomplishment when I held my pride and joy in my hands. Three editions—triplets!

Yes, more work lies ahead. But it was a moment of sheer grace to see the tangible proof: Once again, the Lord has kept his promises.

I hope the same joy and grace will fill everyone who joins me in singing new songs for the Lord.

Blessings,
Linda

______________

Book details

Now Sings My Soul: New Songs for the Lord

Buy on Amazon:
Full Edition
Musicians Edition
Readers Edition (paperback)
Readers Edition (Kindle)

 

Greet Your Savior~A New Faith Song for an Old Tune

Greet Your Savior by Linda Bonney OlinThe Christmas song titled “Greet Your Savior” celebrates Jesus’ arrival with gusto! My words are set to the tune of “The Old Rugged Cross,” a popular old-time hymn.

“Greet Your Savior” shows how new words can give a surprisingly different sound to a familiar tune. Part of the difference, of course, comes from singing it at a perkier tempo than you’d sing the contemplative lyrics of “The Old Rugged Cross.”

But a clever lyricist has other, less obvious, ways to influence the feel of a tune, without modifying the music one bit. I’ll let you in on a few of them, using OLD RUGGED CROSS as an example. Continue reading

Split-ting Words Without Getting a Split-ting Headache

Sheet musicEver notice all the hyphens in your hymnal? I pity the guy who had the job of putting them there!

When song lyrics contain words of more than one syllable, the divisions between syllables are marked with hyphens in the score. This allows each syllable to be individually aligned with its musical note.

Some syllables are sung across a series of notes. The score will generally use a curved line called a slur to mark the range of notes assigned to a particular syllable. It may display multiple hyphens for an extended syllable.

The clip of sheet music pictured above shows the hyphenated syllables Glo-ri-a, ex-cel-sis, and De-o in the classic Christmas carol “Angels We Have Heard on High.” Look at all the hyphens following Glo! That single three-letter syllable is spread over sixteen separate notes. Keep an oxygen tank handy when the congregation belts that one out!

Where Do the Hyphens Go?

But Gloria-induced hyperventilation is not the source of the headache I mentioned in my post title. My split-ting headache comes from trying to figure out exactly where to divide words when I type lyrics into a music notation program.

I vaguely remember a few of Sister Mary Adele’s rules from fifth grade grammar:

  • End a long-vowel syllable with the vowel.
  • End a short-vowel syllable with a consonant.
  • Split words between two consecutive consonants, unless they form a diphthong. (Wait a minute, diphthongs combine vowels. What do you call a consonant combination? A gerund? No … I’m getting too old to keep that stuff straight.)

But Sister Mary Adele’s rules don’t always give the right answer. Even words I thought were obvious turned out to be split differently in my hymnal. Where would you place the hyphens in the common word everyone, for example? I didn’t even guess the number of syllables correctly.

What’s a lyricist to do? Use only words of one syllable? Not likely. Insert hyphens wherever they look right to me, and hope no one else knows better? Tempting, but not the most quality-conscious approach.

How to Divide and Conquer Multi-Syllable Words

Merriam-Webster’s Collegiate Dictionary is my hard-copy reference for word spelling, definition, and syllabication. A quicker solution: I keep a browser window open to Dictionary.com while I work on lyrics. When I need to check a word, I type or copy/paste it into the search box and hit Enter. Voila! Dictionary.com displays the word and its derivative forms in hyphenated syllables.

Even if you don’t write music, knowing where to find a word’s correct syllabication might come in handy someday. If you lay out the interior pages of a print-on-demand book in Microsoft Word, for example, you might want to override Word’s hyphenation to tweak a line here or there. Splitting a long word differently (Con-gregation instead of Congre-gation, for example) can improve the appearance of a printed page or break a line of dialogue at a more reader-friendly place in a script.

Edited September 23, 2021: By the way, give yourself a pat on the back if you split everyone into three syllables. But some sources split it like this: eve-ry-one, while others split it like this: ev-ery-one.

Edit January 10, 2016:
Entering hymn lyrics into a digital score by copying and pasting from Microsoft Word is a lot quicker than typing the words directly into the score. To do that, I first have to separate the syllables with a space or a hyphen (depending on the music notation program). Inserting all those spaces/hyphens individually gets pretty time-consuming.

But I recently was tipped off to Lyric Hyphenator, a free online utility from Juicio Brennan. Just paste your text into the on-screen box and click a button to have it hyphenated automatically. If your notation program uses spaces instead of hyphens to separate syllables, you can then use Word’s Find/Replace All function to replace all the hyphens with spaces.

Caveats: Lyric Hyphenator works with standard English words only. You should eyeball the results for accuracy; as always, use a dictionary to check the syllabication of any questionable words or proper names. (Lyric Hyphenator says eve-ry-one; Merriam-Webster says ev-ery-one.)

 

10 Tips Put Poems to Music

Random Writing Rants banner

Ever had the desire to write hymn texts or put your poems to music? Think it’s impossible because you have little or no music training?

Check out my 10 tips for putting poetry to existing music, on my guest blog post at Random Writing Rants, which is a terrific source of information, advice, and encouragement for adult and teen writers.

EDIT June 11, 2021: Random Writing Rants is no longer active, so I’m copying my ten tips for you here:


From Random Writing Rants

To get you rolling, here are ten tips for putting new words to old music. These are geared to hymns and faith songs, but the same principles apply to other poem themes.

  1. Listen for the Holy Spirit ( or whatever muse inspires you) popping little rhyming phrases and themes into your head. As you read your Bible or listen to a sermon, imagery may jump out at you. Grab those ideas and see how they might be developed into verses. Themes and images that divide themselves into three, four, or even five parallel aspects lend themselves nicely to song stanzas. For example, my hymn text “Seasons of Life” has four stanzas, each one corresponding to (you guessed it!) one of the seasons. A refrain can serve to summarize, bridge, or unify the stanzas.
  2. Choose a tune that suits the general attitude of your text and the musical style you’re going for. A soulful solo? Hand-clapping bluegrass gospel? Lyrical waltz?
  3. Refresh your familiarity with public domain tunes, to help your brain suggest a good choice for a given text. I use recordings on Andrew Remillard’s YouTube channel or hymnary.org to hear the tunes. There are other helpful sites too.
  4. If your poetry tends toward esoteric imagery, multi-layered metaphors, and literary tours-de-force, I suggest you bring it back down to earth when you write hymns. Hymn lyrics have to be easily understood to be absorbed while being sung. You know what I mean. How often do you sing a whole congregational hymn and when it’s done, you have no idea what the words said? Don’t let that happen to singers of YOUR songs! Be original, but not incomprehensible. Choose one simple image and build on it.
  5. Songs are meant to be sung, right? So give singers a break, with easy-to-pronounce transitions between words. Don’t shove a mouthful of consonants into a speedy succession of eighth notes or tongue-twisting combinations in adjacent syllables. Beware of embarrassing words created from run-together sounds. Hearing “snot” in “It’s not” is a classic example. Sing it out loud and adjust as necessary.
  6. Carefully match your words to the notes, using the right number of syllables. A printout of the tune’s sheet music, which often can be downloaded as a PDF file, can be a useful tool to help you match syllable for syllable. It’s okay to split a syllable across multiple notes or split a single note into its equivalent of shorter notes to spread it across multiple syllables. However, when you write new words to a familiar song, try to keep the same pattern of split notes and/or syllables that was in the original song, to help singers make the switch comfortably.
  7. Match accented (stressed/emphasized) syllables to stressed notes. For example, sing “Jingle bells! Jingle bells” out loud to hear the primary accent on the “Jing” notes. It would sound weird to replace those words with “The Lord reigns! The Lord reigns!” even though the number of syllables is the same, because accenting “The” instead of “Lord” sounds weird. A better choice is “Jesus reigns! Jesus reigns!” because “Je” correctly matches the stress on “Jing.”
    Caution: Please don’t jumble the normal order of words in a phrase or sentence to make accents fit. That always sounds awkward or confuses the meaning of the sentence. Remember, your message (which actually is God’s message) is top priority in a faith song.
  8. Don’t shortchange the message by forcing words into stilted rhymes, either. Look for original rhymes using words that contribute to the whole, not just throwaway phrases tacked on to complete a rhyme.
  9. Look for opportunities to musically convey the emotion of verbal phrases. For example, the phrase “Praise the Lord” fits a rising sequence of notes, with the highest note gloriously emphasizing “Lord.” (The refrain of the old hymn “To God Be the Glory” does exactly that.) On the other hand, “Satan is dragging me down” calls for a downward sequence or an ominous minorish-sounding musical phrase. Passages that speed up or notes that are held out convey different dramatic effects too.
  10. Last but not least: Get permission to use copyrighted music, or else stick to public domain tunes (which aren’t copyrighted). Give credit where credit is due: When you publish or perform your new masterpiece, cite the name of the tune’s composer.

Now, do you hear music bubbling up from your memory? It wants someone to give it new words! Why not you?


Back to my Faith Songs post…

If you haven’t already read my posts here on Faith Songs about my adventures in writing original music, take a look at them, too:
Writing Songs for the Lord
To the Ends of the Earth

By way of an update, I’m happy to say that, thanks to my musically inclined collaborator, Phyllis Neff Lake, the project of adding piano accompaniments to the hymns and faith songs in Songs for the Lord is well underway. Yay, Phyllis! Yay, God!

Meanwhile, I’m adding material slowly but surely to a second songbook. This one will feature original hymn texts set to some of my favorite classic hymn tunes. Just this morning, the Holy Spirit showed up with a new hymn idea in the wee hours. I grabbed a newspaper lying next to my bed and scribbled a draft of the verses before they floated out of my memory.  🙂

Let me know if you’re inspired to give it a try!

Blessings,
Linda

P.S. 9/28/2013

I just added new links to my Resources page that will interest poets who want to write new words to set to old hymns.  Hymnary.org offers XML and midi files of public domain hymns. MuseScore, a free music notation program, opens those files and lets you edit them. Replacing the old lyrics with your own words is easy! You can modify the notes, too. Then you can save and print professional-looking sheet music. Have fun!

 

Elizabeth Bristol ~ Confidence in the Prophecy

My Kindle music book, SONGS FOR THE LORD, will be offered as a FREE download on Amazon.com and its European affiliates on Friday, November 2 through Monday, November 5. Mark your calendars! And please help me get the word out!

Photo of Elizabeth Bristol

Elizabeth Bristol

Here is a related message—a testimonial of sorts—sent in by kindred spirit Elizabeth Bristol.

A native of Foxboro, Massachusetts, Elizabeth has lived in many states and other countries. She says she loves the school of life and looks for opportunities to step into another pair of shoes for deeper understanding. She can be conventional, but she’d rather color outside the lines.

(I happen to know that Elizabeth has applied to work in Antarctica. That’s coloring outside the lines, all right!)

Elizabeth writes:

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Writing Songs for the Lord

Yearning for the Gift of Music

Photo of a monarch butterfly on pink weed blossoms

I can do all this through him who gives me strength.
– Philippians 4:13 (NIV)

How does a person who can barely tell a quarter note from a Quarter Pounder write a book full of original hymns and faith songs?

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